classical

Le Grand Discobole (2001)

ARMAN (nee. Armand Fernandez, French-American 1928-2005) Le Grand Discobole (2001) Dimensions: 61 x 43.3 x 31.5in (157 x 110 x 80 cm) Interactive, vertically sliced bronze figure with welded hinges incorporated on circular base. (image of work is shown closed and open) Edition of 8 + 4 EA APA# 8312.01.001

Ex Nihilo: Working Model

Frederick E. Hart (1943-1999) Ex Nihilo, Working Model. Cast Marble edition of 65. Dimensions: 60.5” x 82.75” x 10.75”. Clay executed 1973-1976. © Washington National Cathedral. Literature: Frederick Hart Sculptor, Brown, J. Carter, Wolfe, T. Hudson Hills Press 1994. Pg. 22 [illustration of clay in production] Literature: Frederick Hart Changing Tides, by Michael Novak, pg. …

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“Adam & Eve”

Walter Girotto “Adam & Eve”. Original oil with oil pastel crayon on wood panel. Provenance: Purchased from Collection Privee, Hyde Park Tampa (2002). Like-new condition with original certification of authenticity from the Collection Privee (licensed gallery for GIROTTO resale).

Classic Walter Girotto painting located "Cupid's Temptation"

Walter Girotto (Italian, b. 1953) “Cupid’s Temptation” (Ref #9710) original oil and oil pastel crayon on wood, Dimensions Unframed: 19” x 31” Dimensions Framed: 27” x 39” (as shown) Like-new condition with no obvious flaws. Provenance: Purchased from Collection Privee Gallery directly from Artist (1998). Stamped and sealed by the artist (Verso- with thumbprint- #G-372) …

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“Cupid’s Temptation”

Walter Girotto (Italian, b. 1953) “Cupid’s Temptation” (Ref #9710) original oil and oil pastel crayon on wood, Dimensions Unframed: 19” x 31” Dimensions Framed: 27” x 39” (as shown) Like-new condition with no obvious flaws. Provenance: Purchased from Collection Privee Gallery directly from Artist (1998). Stamped and sealed by the artist (Verso- with thumbprint- #G-372) …

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Frederick Hart and the legacy of Rodin (part of a series)

By Reed V. Horth, for ROBIN RILE FINE ART   “One senses the figures as passing by the tree line and, caught in the presence of the wall, turning to gaze upon it almost as a vision.”~ Frederick Hart.   While examining new interpretations of classical themes, Frederick Elliot Hart (American, 1943-1999) continually defaulted to …

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