Three sets of eyes drink in the sight of a veritable ocean of names. 58,195 names inscribed in inch tall letters typeset over the expanse of a wall that, while it starts minutely on one edge, expands to over 10 feet tall (3 m) at its apex. Its length is overwhelming, stretching for 246 feet …
Frederick Hart and Auguste Rodin, & “Martyrs of Moderndom” (Part 1) Read More »
One of the first exhibitions of it’s kind, “Expressions of Femininity and Form ” explores the transcendent beauty evident across the painted works of Jose Royo and Joan Beltran Bofill, and the sculptural representations of Richard MacDonald and Frederick Hart. Influenced by the wake of movements such as Impressionism, and able to execute the traditional …
By Reed V. Horth, for Robin Rile Fine Art Michelangelo was 24 years old when he completed his “Pietà” in 1499. Oh, if only I were so accomplished by the same age. Michelangelo (Michelangelo di Lodovico Buonarroti Simoni, 6 March 1475 – 18 February 1564) installed his most perfect sculpture within the Vatican walls in …
“Infants of the Same Species”: Washington National Cathedral and Frederick E. Hart Read More »
Frederick Elliot HART (1943-1999) Adam, Fragment (1974) Medium Bronze Sizes 40 x 37 x 18.5 in © Washington National Cathedral. Adam was the maquette design for the full-scale ADAM commission at Washington National Cathedral.
People Reed V. Horth on Why He Became an Art Dealer artnet News, Tuesday, July 14, 2015 Reed V. Horth, owner and founder of Robin Rile Fine Art, has found many avenues to channel his passion for modern, postwar, and contemporary art. As an art dealer, he is responsible for placing countless priceless works by …
ARTNET News: Reed V. Horth on Why He Became an Art Dealer Read More »
Ex Nihilo, Fragment No. 5, Full-Scale by Frederick Hart Bronze. Clay executed circa 1977-79. Bronze editioned in 2003. Edition: 1 – 65 Artist’s Proofs: I/X-X/X Collaborator’s Proofs: A – B Dimensions: 39 1/2″ H x 27″ W x 17″ D. © Washington National Cathedral I saw Ex Nihilo (Out of Nothingness) as a single expression …
Ex Nihilo, Fragment No. 3, Full-Scale by Frederick Hart Bronze. Clay executed circa 1977-79. Edition: 1 – 65 Artist’s Proofs: I/X-X/X Collaborator’s Proofs: A – B Dimensions: 42 1/2″ H x 35″ W x 23.25″ D. © Washington National Cathedral I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the …
Ex Nihilo, Fragment No. 1, Full-Scale by Frederick Hart Clay executed circa 1977-79. Edition: 1 – 65 Artist’s Proofs: I/X-X/X Collaborator’s Proofs: A – B Dimensions: 43″ H x 30″ W x 24″ D. © Washington National Cathedral I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorphosis of …
“Ex Nihilo, Fragment No. 7″ ( Full-Scale) by Frederick E. Hart (American, 1943-1999) Clay executed circa 1977-79. Bronze editioned in 2005. Bronze Edition of 65 Dimensions: 46″ H x 35″ W x 18″ D. Base dimensions: 4″ H x 29″ W x 16” D © Washington National Cathedral Ex Nihilo, Fragment No. 7. Detail from …
Frederick Elliot Hart (1943-1999) Ex Nihilo, Working Model (2002) Dimensions: 60.5” x 82.75” x 10.75”. Clay executed 1973-1976. Bronze editioned in 2002. Edition Size: 8, Artist’s Proofs: 4, Collaborator’s Proofs: 2 © Washington National Cathedral. Literature: Frederick Hart Sculptor, Brown, J. Carter, Wolfe, T. Hudson Hills Press 1994. Pg. 22 [illustration of clay in production] …
