Screenprint in colors, 1970, on wove paper, signed and dated in ball-point pen, numbered of 250 (there were also 26 artist’s proofs lettered from A-Z), published by Factory Additions, New York, printed by Aetna Silkscreen Products, Inc., New York, the full sheet.
Andy Warhol’s Flower series marks a significant moment in his exploration of mass production and commercialization of art. The series was based on a photograph of hibiscus flowers, which Warhol manipulated to create simplified, bold-colored floral images. Warhol once stated, “I just paint things I always thought were beautiful, things you use every day and never think about.” This captures his approach to the Flowers series, elevating an ordinary image into high art through repetition and color. The prints reflect his fascination with both nature and consumer culture, blending abstraction with pop art aesthetics. Over time, they have become recognized worldwide, symbolizing Warhol’s broader critique of beauty, reproduction, and the intersection between art and commerce.
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