c.1975 Drawing by Joan Miró

Image of Joan Miró’s Sin Titre (c. 1975), signed in the bottom right corner.

Joan Miró (Spanish, b. 1893-1983)

Sin Titre (c. 1975)

Chinese ink and crayon gras on paper

33cm x 44cm (13 » x 17.3 »)

Signed “Miro” Middle right

Accompanied by certification of authenticity from ADOM (Association pour la Défense de l’Oeuvre de Joan Miró)

PRICE: on request

Image of Joan Miró’s Sin Titre (c. 1975), signed in the bottom right corner.
Image of Joan Miró’s Sin Titre (c. 1975), signed in the bottom right corner.

Sin Titre (c. 1975) by Joan Miró is an exquisite drawing executed with Chinese ink and crayon gras on paper. Measuring 33cm x 44cm (13” x 17.3”), this work captures the vitality and organic energy for which Miró became known in his later years. The piece is signed “Miro” in the middle right, and it comes with a certificate of authenticity from ADOM (Association pour la Défense de l’Oeuvre de Joan Miró), ensuring its provenance.

ADOM is the most trusted authority on Joan Miró’s works, and a certificate of authenticity from them guarantees that the artwork in question is an original work created by Miró himself. The ADOM certification attests that the artwork conforms to the style, materials, and techniques used by the artist during the relevant period of his career. This is especially critical for high-value works, as it helps prevent the circulation of forgeries or misattributions.

In the mid-1970s, Miró’s drawing method transitioned into a more minimalist yet expressive style. This period in his career was marked by an increased emphasis on fluidity and abstraction, as he embraced spontaneous mark-making and dynamic lines. Sin Titre is a prime example of Miró’s creative exploration during this time, reflecting his constant pursuit of discovery, as he once said: “For me, a line is not just a line—it’s a living force.” His works from this period often drew inspiration from the Mediterranean landscape that surrounded his Palma de Mallorca studio, infusing his drawings with rhythmic energy and an almost musical quality.

This artwork is a testament to Miró’s belief in the vitality of nature, as he sought to reduce forms to their most elemental shapes while maintaining a sense of movement. Sin Titre invites the viewer to engage with the essence of life and the fluidity of Miró’s vision, making it a powerful addition to any collection.